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The first reaction of the authorities, I thought, would be to try to cover up the problem in hopes that it would go away. I concentrated on the question of what would actually happen if a huge predator laid siege to a resort community. I had no interest in writing a one-note horror story: Shark eats people.
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In the same year, Peter Matthiessen’s wonderful book about the expedition, Blue Meridian, was published, and the two events not only affirmed (in bronze) my fascination with sharks but also set storytelling wheels turning in my brain. Blue Water was then and, in my opinion, remains today the finest film ever made about sharks.
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It told the story of an expedition led by Peter Gimbel, a department-store heir and professional adventurer, to find and film a great white shark. Then, in 1971, a documentary feature film called Blue Water, White Death was released. I remember thinking at the time, Lord! What would happen if one of those monsters came into a resort community and wouldn’t go away? I tucked the item into my wallet and, for the time being, forgot about it. Throughout my teens and early twenties, I read most of the accessible literature on sharks-there wasn’t much-and in 1964, I read an item in a newspaper about a fisherman who harpooned a 4,500-pound great white shark off Long Island. To me they spoke of the unknown and the mysterious, of invisible danger and mindless savagery. When my father, my brother, and I would go fishing on windless days, we’d see the dorsal and tail fins of sharks crisscrossing the oil-calm surface. In the 1940s and ’50s the waters around Nantucket were rich in wildlife, including sharks of many species: sand sharks, blue sharks, makos, and, though I didn’t know it at the time, great white sharks. Because I spent my summers on Nantucket, an island thirty miles out in the Atlantic, I was able to indulge my passion on a regular and continuing basis. Like millions of other children, I developed, early on, a fascination with sharks. Jaws was the offspring of a childhood passion. Letter from Peter Benchley to David Brown, Producer of the Film Version of Jaws
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Purchase of this book should not be construed as granting any right or license to use the trademark without prior written permission. PETER BENCHLEY is a registered trademark of Winifred W. This work was originally published in hardcover by Doubleday & Company in 1974 and in paperback by Bantam in 1975.įawcett Books and colophon are trademarks of Random House, Inc.
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Published in the United States by Fawcett Books, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Introduction copyright © 2005 by Winifred W. Published by The Random House Publishing GroupĬopyright © 1974 and copyright renewed 2002 by Winifred W. “An eminently successful combination of adventure story and moral fable … The narrative is tense and absorbing, the characterization excellent, and the climactic shark hunt as exciting a sea story as one could want.”Īll of the characters in this book are fictitious, and any resemblance to actual persons, living or dead, is purely coincidental. “To read the first few pages of Peter Benchley’s book is to be compelled to read them all as quickly as you can turn the pages.… A stunning book.” “Benchley keeps it moving, fulfills all expectations.… JAWS is lean, all sinew, everything directed toward a climax that is implanted on the retina from the very first sentence.” “From the opening chapter when a young woman plunges into the surf … and meets the 20-foot shark … the reader is hooked.” If you have any imagination at all, the book will give you the shivers.”